It’s the last day of my Making Lemons into Jokes campaign! Thanks to absolutely everyone who has contributed, supported, signal boosted, chuckled, and etc. And there’s still a little time to chip in! There are three stretch goals left —
$850 – A satirical essay by Greg Machlin on the topic of how I, personally, destroyed science fiction.
$900 – I’ll write a silly story based on a prompt that John Hodgman gave SFWAns at this year’s Nebula banquet.
$950 – I’ll write a silly story based on all three of his prompts.
$1000 – I’ll hire a professional to make the whole bundle into something pretty.
It would be nice to hit the last one; I could probably use the help. 😉
I’ve written a bunch about the harassment and the campaign this month. On Ann Leckie’s blog, I talked about why the common advice to ignore trolls isn’t enough. On Mary Robinette Kowal’s, I wrote about some of the threads of oppression that make solidarity personally important to me. On Jim Hines’, I wrote about coping with harassment as a vulnerable person.
Today, I wanted to write a little about the places where the light is increasing.
When I started selling my writing in 2005, if I wrote a story with queer characters, I had to think about where I could send it. Not all markets would publish things that pushed those boundaries. Even editors who had no problem with queer content might have to deal with things like school library distribution, where some librarians (more than do today) believed that “gay” = “sex” = “inappropriate for children.”
These days? I don’t even think about it.
These days, when a young trans writer asks me whether there are people with non-normative genders in the industry, I have instant access to an array of publicly known names like my former student, An Owomoyela, one of the fiction editors of the Hugo-winning Strange Horizons, Keffy Kehrli, a brilliant writer who is also running his own queer-themed podcast, and Charlie Jane Anders, whose beautiful writing has been acknowledged with well-earned awards.
In 2005, a venerated old, male writer grabbed a woman’s breast without her permission, on stage, in front of thousands. The science fiction community was befuddled, tripped over its own feet in confusion, and nothing decisive proceeded.
Now large numbers of pro writers have signed pledges not to attend conventions without harassment policies. Activists like Elise Mathesen, Genevieve Valentine, and Rose Fox, among so, so many others, have stood up to make those policies mean something.
And yet more activists, like Mary Robinette Kowal, Michael and Lynne Thomas, and Mari Ness, have come up with a similar pledge about accessibility policies, to try to extend that energy and protection to disabled congoers.
In 2008, fans of color stood up to be counted, because people didn’t even really believe they were there.
I think most white people know better now. It’s been a long time since I saw someone suggest everyone who said they were brown was a sock puppet.
When I came into the field, I knew a little about post-colonial and Indian diasporic science fiction because of my anthropology classes, and I’d been reading some Japanese fiction in translation. But it’s only been in the past several years — thanks to the efforts of American translators like Ken Liu, and international critics and writers like Charles Tan and Lavie Tidhar — that non-anglophone speculative fiction is being widely read and heard in the United States, leading to the recognition of powerful, non-Western writers like Liu Cixin and Hao Jingfang.
Every single moment of progress has had its backlash, of course. When Nora Jemisin came to deserved prominence as one of this century’s most important, emerging voices, jealous graspers harassed her, to try to put her back in her “place.” Elise Mathesen and Genevieve Valentine are still subjected to victim blaming.
But they made a difference. They’re still making a difference.
If my post on Mary Robinette Kowal’s blog was about why people still need to stand together, then this post is the light side of that. When we push hard, and when we bear the costs of pushing, we can make progress. We have.